The Month of May

May has been a busy month here at my house.  The farmer’s and artisans market in New Harmony started much earlier this year on April 21st and has continued.  Normally we don’t start til mid-June.  The artist festival, Arts In Harmony, was the first weekend of May.  The heat was pretty bad that weekend, but I was indoors in the air-conditioned gymnasium, even though they did leave the doors open!  It was much cooler inside than it was outside.  Sold some scarves, some note cards, some art.

Then came the highlight of my month.  I traveled to Tan-Tara resort in the Ozarks of MO for the Missouri Fiber Artists conference and exhibit.  The reception for the exhibit was on Friday night and juror Bob Adams chose my piece, Compositions #2, for the Surface Design award.  That was a wonderful surprise.

Compositions #2 Mixed Media and stitch

I took a glass fusing class Friday afternoon and learned a little bit about that process.  I made some pendants and earrings.

Saturday was an all day class with Bob Adams on building images.  That was fun.

Some of Bob Adams’ samples

This is the paper mock up I did in class. My bottle turned out looking too much like a milk bottle for my taste. That was not my intention!

Saturday night was a barbecue with everyone together.

Sunday morning was the final day…we had a delicious buffet brunch, short business meeting and a speaker, Annie Helmrichs-Louder, who shared her journey and her work.  She is one of the featured artists in the new Portfolio book out by Martha Sielman, The Natural World.  It can be purchased here. You can read my review of the book here.  Her work is wonderful.

That’s Annie facing this direction and chatting with some MoFA members.

To be continued….

Wax and Collage

No name for these yet….Paper collaged on cradled wood, then coated with beeswax/damar resin mix, then I “drew” in the wax and colored with paintstiks.  Then I used a tracing paper to make marks.  Love this whole process.

At The Gallery Part 2

Here’s a couple more pieces of my exhibit that have not been seen on my blog before.

Sticks and Stones #3

Rust dyed cotton sateen, silk screening, stenciling, applique, hand writing, paint, ink, dyes, stitching with polyester thread.

Sticks and Stones #4

Rust dyed feed sack, discharge dyed cotton sateen, silk screened, stenciled and stamped, paint, dyes and automatic dish washing liquid and other discharging products, hand writing, inks, stitching with polyester thread.

New Mixed Media Part 2

If you scroll down to the New Mixed Media post on October 17, you will see the beginning of a new mixed media piece.  I am going to go back to that process and show the next couple of steps and you will see it beginning to change and transform from the initial fabric and paper collage.

First stage: Gesso on the top part, then paint and some gesso on the bottom part

More paint on the bottom part, then oil pastels on the top part...a shape has been sketched in place

I love using oil pastels…I guess it’s the whole blending with my fingers attribute that I like.  I seem to be able to do it better that way than with paint and a brush.  It’s definitely more up close and personal.  With my finger I can make the pastel go where I want it.  I have even been known to apply liquid paint with my finger and rub it in.  Anything that gives me a bit more control and blending.

Now more elements are added and some ink lines...

And then it will sit while I decide what bothers me about it.  It is not finished.  More to come…stay tuned.

At The Gallery

I thought I would post a few photos of my exhibit, Surface Matters, for you to see how it is hung.  These photos are of the Flow series.

Flow #2, #3, #4

Flow #5, #6

Flow #7, #8

And then of course, the one that started it all…

Flow

Working Like a Madwoman

Ever have those times when you wake up in the morning and something starts talking to you?  I woke up yesterday morning very dissatisfied with how the mounting technique for  some mixed media work was coming along.  I have gone to great lengths to order everything to do it in this particular method, even ordering acid free coreboard which then needed the edges painted because I couldn’t find it in black.  But I awoke with a nagging dissatisfaction about it all.  I got up, looked at the work again, and said, oh, it’s ok…but then later the nagging unhappiness came back.  So because they measure 14″ square and of course, no canvases are made that size, I found my self shopping for a new idea, then shopping online and ordering more stuff and spending more money.  But at least I have peace now…these composition pieces are going to look much better, I think. And they deserve to.

Compositions #2

The time until I hang the exhibit is going fast. Today I feel I made much progress.  I worked on Black and White Compositions #2, #3, and #4.  These are compositions on canvas, made with cut pieces of cloth but they will not be stitched.  I don’t know if anyone realizes this or not (surely I’m not the only one!)…our type of work is much more time consuming than the average painter.  For me, there is the creation of the cloth, then the composition, and lastly, the layering and stitching part.  It is slow work.  In the interest of time, I am creating a few like this that will fill in my exhibit in a different color palette.

I also finished the handwork on the back of “Fading Glory” during tv time!

Tomorrow I will get up and do more of the same.  More mixed media Compositions are in the works too.  Can’t wait to get started on them.

Innovations in Textiles

I had the blessing of being able to take a day off from my work and go to St. Louis this week to see some of the exhibits of Innovations in Textiles.  This is a biannual event that takes place in the area.  Every two years for a two month period of time, galleries and exhibits major in textiles and fibers; there are also lectures and workshops offered by major textile and fiber artists.  Quilt National travels from Athens, Ohio to the Foundry Art Center in St. Charles, MO.   If I lived closer, I’d be majorly involved!

But I wouldn’t miss Quilt National at the Foundry.  And this year, I had two pieces in an exhibit at Maryville University.  The exhibit is called Speaking of Fibers and was put on by the Missouri Fiber Artists (www.missourifiberartists.com).

I took photos at Art St. Louis of some of the interesting fiber works in Fiber Focus.  Here’s one by Suzy Farren, a MoFA member.  I love what she did with paper and various fibers.  I have her permission to share it here.

I Could Fear That Too

To get to Art St. Louis, we had to pass a building under construction…looks like it will be the National Blues Museum when it is finished.

Interesting and very tall building in Art Deco style at 6th and Washington…

Two fiber buddies who spent the day, Julia Sermersheim and Susan Spineto…Susan Marth met up with us in St. Charles, but I didn’t get any photos of her….This quilt didn’t have a center in it, so I had them get in the “frame”…

Julia Sermersheim and Susan Spineto

No photos of Quilt National, of course.  We ate at Picasso’s Coffeehouse in St. Charles…wonderful place with great coffee…I didn’t take photos of that either.

Third Degree Glass Factory on Delmar had marvelously creative sinks and fixtures….

Bathroom sinks and faucets in the Third Degree Glass Factory bathroom

We thought these were the bomb! (unless I can’t say bomb anymore)

I also found an interesting wall to photograph…

It sort of goes with this…which was hanging in the MoFA exhibit…

Weathered Places

Best of show winner, Janet (don’t know last name) with juror Victoria Crowder Payne and Barb Zapulla, who, I think did most of the work of pulling off this exhibit…Pat Owoc’s work is in the background…

More from the reception…I only know a few of these people!

Here’s my other piece in the show…

Fragments of a Life 5b

Here’s another piece from the show by Rosemary Claus-Gray.

Beach Reflections

Well, I’m going to wrap this up…it was a fabulous day…now back to working on my exhibit which is less than 3 weeks away!

Masters: Art Quilts Vol. 2

Martha Sielman’s second volume of the Masters: Art Quilts published by Lark Crafts is definitely 400 pages of eye candy,  a colorful, visually stimulating treat to the art of 40 contemporary  artists working in textiles.  Sielman features work, not only from the United States, but from across the globe, including Switzerland, Australia, Hungary, France, So. Africa, the Netherlands, Canada, Israel, Russia, Japan, Norway, and England.  I love this global selection, as well as her exploration of the career and personal backgrounds of each artist and how this contributes to the way they work.  This background provides a rich supplement to the amazing art featured in the book.  There are ample selections of each artist’s work, with 5 to 10 pages of full page photographs  devoted to each.  I feel that I have seen a good representation of the artists.

There are many familiar (to me) artists featured: Paula Nadelstern,  Laura Wasilowski, Nelda Warkentin, Jane Dunnewold, and Linda MacDonald. Others are totally unknown to me, but their addition to this catalog greatly enrich my visual experience with every page.

Sielman’s choice of artists who work in a broad range of styles and techniques contributes to the appeal of the book.   Some are personal histories providing a view into worlds unknown to most, such as  Carolyn Crump’s portraitures which feel very much like linocuts because of the black outlines she uses.  Dutch quilter Miriam Pet-Jacobs uses commentary with messages both obvious and elusive.  I love Netherland’s resident Leslie Gabrielse’s combination of collage and realistic figures.  He states that he is “very drawn to commercial fabrics…fascinated by the variety of motifs and textures they have to offer.”  Pamela Fitzsimons’ work is based on the Australian landscape, creating lines, colors, and patterns reminiscent of the country.   Dirkje van der Horst-Beetsma creates landscapes based on her native province in the Netherlands which are made up of several sections laced together with unusual materials such as zippers or inner tubes. Izabella Baykova’s depictions of Russian cityscapes and fairy tales are renditions of views from her St. Petersburg apartment and folk stories using layers of sheer silk and paint. I find her work to be amazingly intricate. Daniela Dancelli’s abstract work, using a combination of different textiles along with plastic, laminated newsprint, and found objects, incorporates strong colors, bold marks and handwritten letters into her symbolic pieces.

This volume is a must-have addition to any serious textile artist’s library.  It will be kept in my home alongside Volume 1 and studied over and over again.  Martha Sielman’s curating has provided an invaluable service to the textile art community.

For those interested in supporting the arts, Masters: Art Quilts Vol. 2 can be purchased through SAQA (Studio Art Quilt Association).  Lark is donating the full $24.95 amount to SAQA.

August This N’ That

Summer is winding down…it’s August already.   It has gone by quickly.

Along with leaving town a couple of times, working to have items ready for the artisans/farmer’s market each weekend, and now produce coming in from the garden, a girl has to work hard at getting quality time making art.  I have an exhibit to hang in October…!

I have been working on some new work and last week saw me spending a lot of time just doing art.  “Composition” is a new series I am working on.  It is mixed media work and I am enjoying it immensely.  I am having loads of fun using paint, ink and pastels to create on paper and cloth.

Composition - collaged base of paper and cloth, gesso, acrylic paint, oil pastels, ink paper

There are more coming in this series and manner of working.  These measure approximately 15″ square.  Work is also proceeding on a larger piece using discharged black cotton sateen and a rust dyed cotton feed sack.

Scarlet and I have started working on Christmas ornaments for the gallery gift shop.  Mine will mostly be mixed media and made of papers.  They are started but there is much to be done before they are ready for display.

New journal covers I have been creating this summer are photos printed on cotton. Oh, look…one of them is the new artwork, Composition.

I have a couple of shows I will be working in September.  See my events tab (above) to see where I will be.  October will be the time I am finishing up everything for my exhibit in New Harmony, IN.

Well, I guess it’s time to get back to my other work now….

This ‘N That

I haven’t blogged for a while.  I guess it’s because I haven’t been doing that much.  I visited with some friends last week, but I haven’t had much time for artsy stuff, although I do try to keep working steadily for my exhibit in October.

I have all 7 pieces of the “Flow” series now mounted on canvases covered in ash grey cotton.  They look very nice.  The only work left is to finish the back side of the canvas.

Flow #8

Work on Sticks and Stones #3 is finished.  All that is left is to get the hanging slat cut.  I have several pieces layered and basted; I’m ready to start the stitching. Sticks and Stones #4 is started.  I am studying where I am with at this point and where I want to go with it.

Sticks and Stones #3 detail

It’s time to get serious about getting work finished.  October will be here before we know it.  July is almost over.  I need to design my postcards for the exhibit so that they can be at the gallery in time for the August gallery stroll.  I will only be working a couple of shows this fall and no quilt shows since I will be working on the exhibit.

In other news, I had two textile pieces accepted into the MoFA exhibit that will run during Innovations in Textiles in the St. Louis, MO area this fall.  There will be an opening reception in early October at which time I will travel to the area and also go see Quilt National in St. Charles.  I can’t wait for that! I wish I had several days to hang around and see all of the exhibits and lectures and demonstrations going on, but this time, duty calls!  I’m sure I will be too busy and too nervous to take any more time out.  My exhibit has to be hung during the week of October 23.

Scarlet and I have scheduled another play day next week.  We are going to work on special Christmas ornaments for the gallery…this should be interesting and fun!